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Please accept my membership in the QubĪnd send me, postpaid and at no further cost, Thomas G. The Chib will publish any such item it deems * PREVIEWS also includes news about members and their hobbies. These Bonus Books do not count towardįulfilling your Club obligation but do enable yocf to buy fine books at giveaway These entitle you to buy many Chib books atĭeep discounts, usually 6 O- 8 OV 0 off. 'every book, record or vidcocassette you buy at regular Chib price, you receive one
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To decide if you want it, you may return it at Chib expense for full credit. ★ If you ever receive a Featured Selection without having had 10 days your membership may be ended at any time, cither by* you orīy the Chib. * As soon as you buy and pay for 4 books, records or videocassettcs at
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Used with authorizationĮvery 4 weeks (13 limes a year) you gel a free copy of (he Club bulletin. ★ EXTRA! Special-effects filmography for all 18 ILM films, withĬopynghl IW6 l ucasfilm Lid. ★ Glossary of 128 special-effects terms - with definitions that ★ Profiles of 20 of ILM’s boldest creators ★ 290 pages on heavy 120-pound supergloss stock for ★ Huge 10 x 12 volume - weighs over 4 pounds ★ 392 photos in magnificent color - 75% never publishedīefore In the spotlight: 8 breathtaking gatefolds of 4 pages Reveals the breakthrough techniques in a volume of visual knows the ILM innovations from the inside. Smith, ex-head of Visual Effects Production at impressive and welcome combination of text and graphics. will prove irresistible to serious cinemaphiles interested in the latest technicalĭevelopments. a filmgoer s delight and an answer to that eter¬ Movies of all time, including the Star Wars trilogy, E.T.: The Extra-Terrestrial and Raiders of the LostĪrk. Since its founding by Director George Lucas in 1975, theĪptly named Industrial Light & Magic has created the special effects for five of the ten most successful “The corporate initials ILM may not be as famous as GM, but the products of that little-known companyĪre almost as familiar as the Chevy and Buick. I ondon I I 4R I Phone (OliVKO-Mb 7 Submissions ol artwork and articles arc encouraged, hut no correspondence can heĪnswered unless accompanied h> a sell-addressed, stamped envelope Printed in 1 SA Contents copyright c 1^)1 hv ) rcdcnck S t larkc ( INTI-AM ASlIt^l I.* 1. KH)|9 (I-KOI)-221 - JI4M) In (Meat Britain h\ I itan Distributors PO Box 250. hc/ic /v»r«‘» 5.VD Single copies when purchased Irorn publisher Sb Krtoil Distribution: In the I S h\ I astern Sews Distributors. I »elvc Issues S4M f/owgnĪCanuJa Four i\\ur\ J.’/. Paid at lorest Park II 60I.V) POSIMXSIIK Send address changes to t IM I \N I \M lyl IPO Box 2?(l ak Park II hO.VD Subscriptions: \ our Issues SIM.
Rob WinningĮditorial Assistant: Elaine Fiedler. Dennis Fischer, Michael Fraser.īill George. Toronto Gar> Kimber.ĬONTRIBUTORS: Mark A. MANAGING EDITOR: Avis I Weathersbce.īl'REAL'S: New York Dan Scapperotti. Workings as well as the creative differen¬ Article by Bill GeorgeĮrs by not being the disaster that insideįiled against the show by writers with the Persona and his "sick puppy cinema " / Critical essay by Thomas Dohertyīehind-the-scenes of Charles Band's Empire Pictures low-budgetįright film factory and why it went belly-up. Is it horror or isn't it? Thoughts contrasting Cronenberg s public With the ending of MONKEY SHINES / Article by Dennis Fischer Second season / Articles by Mark Dawidziak and Mark A Altman Sturm and drang on the final frontier as the now STAR TREK enters its Spagetti western idiom of Sergio Leone / Preview by Tim Hewittįilming a supernatural TERMINATOR from the director of HOUSE and Article by Gary Kimberĭirector Albert Pyun molds the post-apocalyptic landscape of SF in the Metaphor for the flipside of 50s America. Preview by Jan DoenseĪctor Bob Balaban's feature film directing debut uses cannibalism as a Man's NIGHTMARE ON ELM STREET ' / Article by Alan Jonesĭirector Dick Maas mixes JAWS. Preview by Gary Kimberīritish rock videos director Bernard Rose comes up with a thinking Preview by Sue UramĪ new horror from Canadian director Tibor Tackacs and effects expert
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Maverick Detroit-based filmmakers show Hollywood how to film high. Makeup Oscar-wmner Chris Walas makes his directing debut and siresĪ son of David Cronenberg s fly / Preview by Peter Stenmng Paramount and Laurel Productions bring King's horror bestseller to Full text of " Cinefantastique Magazine: 1970-2002"